Musical Pieces  



This piece of music by Jakob Ludwig Felix Mendelssohn Bartholdy (1809-1847) is from 1830. It is one of 48 pieces from "Lieder ohne Worte".



Youtube comments ...

semichiselful: i played this in grade 6 for my friends parents and one thought it was depressing, i personally think its breath taking which was why i chose it :)

roelhart777: Nice and slow which evokes the right mood. Sorry.., but the blonde (Urska B) plays it with a more sensitive touch

DuskFeather13: thank you so much for this im learning it and listening to is helps me, thank you!

the30noemie: fan de cette chansons !!=D

maxstudiosalkesero: this one is better that the op30 n6!

filmloverql123: Lovely piece My friend can play it brilliantly but she wasn't sure and really needed to listen- doesn't really have a teacher at the moment so thanks for giving her an idea of what it's supposed to sound like!!!! Thumbs up!!!!!

Sylvain894: Who are you cubusdk ?? Are you afraid to show your face ??

symphonicharmonies: Wow! Just simply beautiful! I am working on the "Songs Without Words" now and this is one of my favorites. Thanks for sharing.

filmloverql123: favourited!!!

cro508: i used to play this. sometimes i wish i still played piano. i loved Mendelssohn and his style of music inspired me to write my own

chinesepianist1: This recording is the best i've heard of this song. However, the right hand should have more value. Also. it would be better if the phrasing is stressed out more.

Pianofy: I like these Gondelliederen

Rachel1511: c'est tout simplement magnifique !!

rdtcpsso: That sounds like a digital piano.

lijiakai: You're supposed to play the right hand fingers 2 and 4 for the harmonic intervals for like the first 2 measures. otherwise, it sounds kinda broken.

Enkil0423: Amazing ^_^

alex95187: please tell me you have recorded op 117?? ive searched youtube for a good recording but nobody seems to catch the true essence of the song, and i feel that you, of all people, know how it should be played.

pilla89: @cubusdk... im not sure if you're familiar with the composer Adolf von Henselt, he's a rather obscure romantic era composer best known for his etudes.. i would definitely suggest giving him a listen and potentially tackling on of his pieces.. although some do require quite a bit of virtuosity

pilla89: agreed... my personal favorites are op.19- no.1, no.3, no.5, no.6 and op.30- no.1, no,2

444mariam: "very nice *•.¸¸.•*♡*•.¸¸.•*♡*• .¸¸.•*♡*•.¸¸.•*♡*•.¸ *•.¸¸.•*♡*•.¸¸.•*♡*•..." "★´¨) ¸.•´¸.•*´¨) ¸.•*´¨) (¸.•´ (¸.•´★★ Thank you!!!"

Mylittlenebula: Thank you again! I don't know what you mean by a minor third in disguise since I am not very fluent int he language of music, but I get it! :D

TheChipster91: Yep! The way it was notated in the music is just slightly confusing. Now you're on to its deviance! It's a minor third in disguise.

Mylittlenebula: Thank you so much! So what you are saying is that the sharp applies to the C and not the B even though it is closer to the B. I think I get it!!! You are too sweet. Have a WONDERFUL New Year! :D

TheChipster91: Sine the key signature defaults the B to a B flat, the sharp would only apply for the C. Though, it appears differently on the staff paper, it is a minor third and the arranger preferred notating it that way rather than putting a D flat there instead.

Mylittlenebula: Oh! Thank you! Is that the chord I am talking about? Do you know which one it is? I believe you do know which one I am talking about, because this makes sense. Thank you! I will go try it! :)

Felix Mendelssohn: Op. 19, No. 6 (Venetianisches Gondellied).
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